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"From India, a Sarod Dynasty Represented
by Father and Sons....both excellent musicians, who play
with power and precision and can light up an audience
with fast passages". |
| |
The New York Times, 2006
(Carnegie Hall Concert) |
| |
|
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“Thrilling…. breathtaking
playing…” |
| |
Songlines World Music
Magazine, 2005 |
|
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“Impossibly fast handwork
which once again brought the crowd to its feet…” |
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Savannah Morning News
2005 |
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"Frenzy of exuberant energy
" |
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Sydney Morning Herald, 2003 (Sydney Opera
House) |
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“Wizards of Indian interplay” |
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The Washington Post, 2001 |
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|
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“Coming master…….”’ |
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The New York Times 2000 (Carnegie
Hall) |
| |
|
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“Amaan’s playing is
packed with rapid-fire stroke work....'" |
| The Telegraph, Calcutta
1999 |
| |
|
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“Young maestro picks up pace. Amaan
announced his attainment of top-grade concert maturity..." |
| The Telegraph, Calcutta
1999 |
| |
|
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“Like Father, Amaan has a penchant for
harnessing the sweet tones and bringing out enchanting melodies
that immediately draw the audience to him...." |
| The Statesman, New
Delhi 1999 |
| |
|
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“Amaan bears the great responsibility
of carrying the baton of music tradition that his father has
passed on to him...." |
| The Times, Kuwait
1998 |
| |
|
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"Amaan and Ayaan are the youngest members
of India's oldest Sarod playing family. They have already recorded
CDs and played, among other places, at Carnegie Hall and Prince
Charles's Highgrove estate...." |
| Newsweek, 1997 |
| |
|
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“Sarod maestro enthralls
city. Amaan kept the audience glued to their seats..." |
| The
Hindustan Times, New Delhi 1997 |
| |
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"Both
brothers have developed individual and distinctive musical
voices at a very young age, and both look set to become
central figures in North Indian classical music-worthy
heirs to their father's crown
" |
| |
Songlines World music
Magazine, UK 2003 |
|
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"India's
No. 1 Sarod playing family." |
| |
India in New York, 2001 |
|
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"Wizards
of India Interplay" |
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Washington Post, 2001 |
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